Super Humans - Angelica Kauffman

Maria Anna Angelika Kauffmann RA (30 October 1741 – 5 November 1807), usually known in English as Angelica Kauffman, was an Austrian Neoclassical painter who had a successful career in London and Rome. Remembered primarily as an history painter, Kauffmann was a skilled portraitist, landscape and decoration painter. A contemporary of Sir Joshua Reynolds and Thomas Gainsborough, she was one of the two female founding members of the Royal Academy in London in 1768. Kauffman was born at Chur in Graubünden, Switzerland, where her father was working for the local bishop but grew up in Schwarzenberg in Vorarlberg/Austria where her family originated. Her father, Joseph Johann Kauffmann, was a relatively poor man but a skilled painter, who was often traveling for his work. It was he who taught his precocious daughter. Angelica, a child prodigy, rapidly acquired several languages from her mother, Cleophea Lutz, read incessantly and showed talent as a musician, but her greatest progress was in painting, and by her twelfth year she had become known as a painter, with bishops and nobles being her sitters. In 1754 her father took her to Milan. Later visits to Italy of long duration followed. She became a member of the Accademia di Belle Arti di Firenze in 1762. In 1763 she visited Rome, returning again in 1764. From Rome she passed to Bologna and Venice, everywhere feted for her talents and charm. Writing from Rome in August 1764 to his friend Franke, Winckelmann refers to her popularity; she was then painting his picture, a half-length; of which she also made an etching. She spoke Italian as well as German, he says, and expressed herself with facility in French and English - one result of the last-named accomplishment being that she became a popular portraitist for British visitors to Rome. "She may be styled beautiful," he adds, "and in singing may vie with our best virtuosi."

Super Humans - Albrecht Dürer

   Albrecht Dürer (/ˈdʊərər, ˈdjʊərər/; German: [ˈalbʁɛçt ˈdyːʁɐ]; 21 May 1471 – 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. Dürer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions.

   Dürer was born on 21 May 1471, third child and second son of his parents, who had at least fourteen and possibly as many as eighteen children. His father, Albrecht Dürer the Elder, was a successful goldsmith, originally Ajtósi, who in 1455 had moved to Nuremberg from Ajtós, near Gyula in Hungary. The German name "Dürer" is a translation from the Hungarian, "Ajtósi". Initially, it was "Türer," meaning doormaker, which is "ajtós" in Hungarian (from "ajtó", meaning door). A door is featured in the coat-of-arms the family acquired. Albrecht Dürer the Younger later changed "Türer", his father's diction of the family's surname, to "Dürer", to adapt to the local Nuremberg dialect. Albrecht Dürer the Elder married Barbara Holper, the daughter of his master, when he himself became a master in 1467. Dürer's godfather was Anton Koberger, who left goldsmithing to become a printer and publisher in the year of Dürer's birth and quickly became the most successful publisher in Germany, eventually owning twenty-four printing-presses and having many offices in Germany and abroad. Koberger's most famous publication was the Nuremberg Chronicle, published in 1493 in German and Latin editions. It contained an unprecedented 1,809 woodcut illustrations (albeit with many repeated uses of the same block) by the Wolgemut workshop. Dürer may have worked on some of these, as the work on the project began while he was with Wolgemut. Because Dürer left autobiographical writings and became very famous by his mid-twenties, his life is well documented by several sources. After a few years of school, Dürer started to learn the basics of goldsmithing and drawing from his father. Though his father wanted him to continue his training as a goldsmith, he showed such a precocious talent in drawing that he started as an apprentice to Michael Wolgemut at the age of fifteen in 1486. A self-portrait, a drawing in silverpoint, is dated 1484 (Albertina, Vienna) "when I was a child," as his later inscription says. Wolgemut was the leading artist in Nuremberg at the time, with a large workshop producing a variety of works of art, in particular woodcuts for books. Nuremberg was then an important and prosperous city, a centre for publishing and many luxury trades. It had strong links with Italy, especially Venice, a relatively short distance across the Alps.

Intelligence and IQ

Motto: Intelligence alone does not get us where we need to or even necessarily where we want to go. For that, the human creature must exercise harder-won capacities of wisdom, and wise action. (Krista Tippett)

I hear that often, with people that ask if hard work and average intelligence can surpass a high IQ. And i always tell them that yes, it is possible. Because IQ is only half of the equation. The intelligence quotient is just an estimation of your intelligence level. But, as I was saying, this is not all. We also need to check the ability to use that given intelligence, the efficiency of what was give to you and how you put this in practice.

Just to explain it better, I will use a hypothetical situation.

We got J. with an IQ of 100 and 100% efficiency in using it. The resulted real use of intelligence is 100 x 100% equal 100.

We got K. with an IQ of 120 and 50% efficiency in using it. The resulted real use of intelligence is 120 x 50% equal 60.

We got X. with an IQ of 160 and 30% efficiency in using it. The resulted real use of intelligence is 160 x 30% equal 48.

If I ask who will be probably the most successful out of these three individuals, what you will say?

It is the first one J., as he got the better aggregate ability, even if he got the lowest IQ. Now you just find out why some apparent average guys are much better in something that innate geniuses. And the good news is that your efficiency in using your intelligence is a trainable skill. Bluntly said, can you raise your IQ? No, not yet. Can you learn how to better use your intelligence? Definitely yes.

Super Humans - Adora Svitak

Adora Svitak (born October 15, 1997 in Springfield, Oregon) is an American writer, public speaker, and activist. Svitak was born in Springfield. Her mother, Joyce, was a Chinese immigrant who grew up during the Cultural Revolution. Her father, John, studied physics and worked as a software engineer. 

A voracious reader from age three, Adora Svitak's first serious foray into writing - at age five - was limited only by her handwriting and spelling. (Her astonishing verbal abilities already matched that of young adults over twice her age.) As her official bio says, her breakthrough would soon come "in the form of a used Dell laptop her mother bought her." At age seven, she typed out over 250,000 words -- poetry, short stories, observations about the world - in a single year. Svitak has since fashioned her beyond-her-years wordsmithing into an inspiring campaign for literacy - speaking across the country to both adults and kids. She is author of Flying Fingers, a book on learning.

Her inspired TED Talks "What we can learn from children" has more than 4 millions viewers. And her knowledge and use of a complex vocabulary is somehow astonishing. 

Super Humans - Minou Drouet

Marie-Noëlle Drouet, known as Minou Drouet (born July 24, 1947), of La Guerche-de-Bretagne, France, is a former poet, musician, and actor.

Drouet gained fame in 1955 when some of her poems and letters circulated privately among French writers and publishers, generating controversy over whether or not Drouet's mother Claude was their true author. Drouet soon overcame much of this skepticism by writing poems before witnesses without her mother present. In one such test, she wrote a poem to gain admission to France's Society of Authors, Composers and Music Publishers. Drouet also studied piano and guitar. Throughout the late 1950s and early 1960s, Drouet toured as an author and musician. Jean Cocteau said famously of Drouet, "Tous les enfants ont du génie sauf Minou Drouet" (In English: All children have genius, except for Minou Drouet). After her grandmother became ill around 1966, Drouet worked as a nurse for two years before returning to public life as a singer-songwriter and children's novelist. She wrote one adult novel; its title in English translation was Donatella. Eventually, Drouet returned to her childhood home in La Guerche-de-Bretagne. She now lives with her husband Jean-Paul Le Canu and has left public life except to publish a memoir, Ma vérité, in 1993. New Yorker critic Robert Gottlieb describes Ma vérité as "reticent and skimpy," saying that it focuses on facts rather than subjective interpretations of Drouet's childhood.

Super Humans - Lope de Vega

Félix Lope de Vega y Carpio (Spanish pronunciation: [ˈfeliks ˈlope ðe ˈβeɣa i ˈkarpjo]; 25 November 1562 – 27 August 1635) was a Spanish playwright, poet and novelist. He was one of the key figures in the Spanish Golden Century of Baroque literature. His reputation in the world of Spanish literature is second only to that of Cervantes, while the sheer volume of his literary output is unequalled, making him one of the most prolific authors in the history of literature.

Nicknamed "The Phoenix of Wits" and "Prodigy of Nature" (in Spanish: Fénix de los Ingenios, Monstruo de la Naturaleza; because of the volume of his work) by Miguel de Cervantes, Lope de Vega renewed the Spanish theatre at a time when it was starting to become a mass cultural phenomenon. He defined its key characteristics, and along with Calderón de la Barca and Tirso de Molina, took Spanish Baroque theatre to its greatest heights. Because of the insight, depth and ease of his plays, he is regarded as one of the greatest dramatists in Western literature, his plays still being produced worldwide. He was also one of the best lyric poets in the Spanish language, and author of several novels. Although not well known in the English-speaking world, his plays were presented in England as late as the 1660s, when diarist Samuel Pepys recorded having attended some adaptations and translations of them, although he omits mentioning the author. Some 3,000 sonnets, 3 novels, 4 novellas, 9 epic poems, and about 500 plays are attributed to him. Although he has been criticised for putting quantity ahead of quality, nevertheless at least 80 of his plays are considered masterpieces. He was a friend of the writers Quevedo and Juan Ruiz de Alarcón, and the volume of his lifework made him envied by not only contemporary authors such as Cervantes and Góngora, but also by many others: for instance, Goethe once wished he had been able to produce such a vast and colourful work. 

Félix Lope de Vega y Carpio was born in Madrid to a family of undistinguished origins, recent arrivals in the capital from Valle de Carriedo in Cantabria. His father, Félix de Vega, was an embroiderer. Little is known of his mother, Francisca Fernández Flórez. He later added the distinguished name of Carpio from one of his in-laws. After a brief stay in Valladolid, his father moved to Madrid in 1561, perhaps drawn by the possibilities of the new capital city. However, Lope de Vega would later affirm that his father arrived in Madrid through a love affair from which his future mother was to rescue him. Thus the writer became the fruit of this reconciliation and owed his existence to the same jealousies he would later analyze so much in his dramatic works. The first indications of young Lope's genius became apparent in his earliest years. His friend and biographer Pérez de Montalbán stated that at the age of five he was already reading Spanish and Latin, and by his tenth birthday he was translating Latin verse. He wrote his first play when he was 12, allegedly El verdadero amante, as he would later affirm in his dedication of the work to his son Lope, although this statements are most probably exaggerations. His great talent bore him to the school of poet and musician Vicente Espinel in Madrid, to whom he later always referred with veneration. In his fourteenth year he continued his studies in the Colegio Imperial, a Jesuit school in Madrid, from which he absconded to take part in a military expedition in Portugal. Following that escapade, he had the good fortune of being taken into the protection of the Bishop of Ávila, who recognized the lad's talent and saw him enrolled in the University of Alcalá. Following graduation Lope had planned to follow in his patron's footsteps and join the priesthood, but those plans were dashed by falling in love and realizing that celibacy was not for him. Thus he failed to attain a bachelor's degree and made what living he could as a secretary to aristocrats or by writing plays. In 1583 Lope enlisted in the Spanish Navy and saw action at the Battle of Ponta Delgada in the Azores, under the command of his future friend Álvaro de Bazán, 1st Marquis of Santa Cruz, to whose son he would later dedicate a play. Following this he returned to Madrid and began his career as a playwright in earnest. He also began a love affair with Elena Osorio (the "Filis" of his poems), who was separated from her husband, actor Cristóbal Calderón, and was the daughter of a leading theater director. When, after some five years of this torrid affair, Elena spurned Lope in favor of another suitor, his vitriolic attacks on her and her family landed him in jail for libel and, ultimately, earned him the punishment of eight years' banishment from the court and two years' banishment from Castile.

Super Humans - Seth F. Henriett

Henriett Seth F. (Hungarian pseudonym Seth F. Henriett; birth name Fajcsák Henrietta; born 27 October 1980) is a Hungarian autistic savant poet, writer, musician and artist who became world famous with one book titled Autizmussal önmagamba zárva ("Closed into myself with autism") and her one sentence on many cubes from her book made one monodrama, titled Nemsenkilény, monológ nemmindegyembereknek ("Notanobodycreature"), before the age of 30. worldwide and nationally having regard to her childhood autism and heart disorders as mitral valve prolapse, three eye disorders as nearsightedness, astigmatism, strabismus, orthopedic diseases and other physical disorders. She gave up creative music career altogether at the age of 13, creative writing altogether at the age of 25 and she also gave up creative painting altogether before the age of 27. Henriett Seth F.' s life and arts can be compared with Arthur Rimbaud' s life and her arts took after her "Little Wassily Kandinsky" 's. Henriett universal effect of all that was what we now call autism and savant syndrome. 

Henriett did not make eye contact in her early childhood. In 1987 all the primary schools in her town refused her admission application because of her communication problems. She was placed in a music and art class, but she never sang songs, so, in 1989 she was sent to a mentally handicapped primary school by two teachers, although she remained in music and art class. She played flute at the age of 8 and played contrabass at the age of 10–12, and until the age of 13 she was in many concerts in the Garrison and Soldiers of Club (in Hungarian: Helyorsegi Klub). She gave up creative music career altogether at the age of 13. She was also found to have echolalia, communications problems and repetitive behaviors, see Henriett as a young girl – on the first digitized videos of childhood autism and savant syndrome on Hungary – on investigations and language development with her photos of paintings by Hungarian Autism Research Group, Budapest, 2002. She was diagnosed with childhood autism by Hungarian Autism Research Group (Autizmus Alapítvány és Kutatócsoport) and two psychiatries of Eger. Henriett had a long history of visual art, poetry and writing in her childhood; beginning at age nine and finishing at age thirteen. Henriett universal effect of all that was what we now call autism and savant syndrome, she painted autistic art paintings to the House of Arts, Eger, and Hotel Stadion of Budapest in the East-European Autism Conference, 2004. She won the Géza Gárdonyi Prize at the age of 18 for her art and literature. Henriett went to Eszterházy Károly College at the age of 18 to the Psychology Institution, but her communication and her behavior problems finished with a diagnosis of childhood autism in 2002. She has Raven IQ above 140 and Magyar Wechsler Intelligence Test (MAWI) IQ above 120 with part some under IQ 90, so she was considered handicapped genius, a perfect example of childhood autism and savant syndrome, see disability support. In 2005, she wrote a book, Autizmussal önmagamba zárva ("Closed into myself with autism"), that was published by the Hungarian Autism Research Group and Ministry for National Cultural Heritage. Henriett was invited to the Friderikusz Sándor's documentary film, to Szólás Szabadsága ("Freedom of Speech"), in 2005, that was seen by 700,000 people. This documentary film was entitled Esőlány ("Rain Girl"). In 2006 Henriett wrote one novel, Autizmus – Egy másik világ ("Autism – Another World"). That work was published by University of Pécs, in the New Galaxy anthology. Henriett won the 6th-place prize in the International Literature Competition in 2000, at the age of 19. She came in first in 2001, at the age of 20 (by International Alliance of Hungarian Writers). Henriett wrote novels and poems during her childhood, as well as in college life to the periodical Esőember ("Rain Man"), 2006. She showed her last art work in Brody Sandor Public Library in June 2007. She gave up creative writing altogether at the age of 25 and she also gave up creative painting altogether before the age of 27. She did not sold work of her childhood and teen age literature and visual art at her mother's advice, but her own room was transformed childhood autism and savant syndrome memorial room at age 30. She also had three autoimmune disorders and now living with childhood autism, heart disorders as mitral valve prolapse, three eye disorders as nearsightedness, astigmatism, strabismus, orthopedic diseases and other physical disorders. Her organism was attacked by cancer in 2009. In 2010, Orlai Produkciós Iroda made a monodrama, Nemsenkilény, monológ nemmindegyembereknek ("Notanobodycreature"), from book of Henriett Seth F. The text book contains details of Donna Williams' s Nobody Nowhere: The extraordinary Autobiography of an Autistic Girl, Don't want to Be Inside Me Anymore: Messages from Autistic Mind. That played in Esztergom, Budapest, Pécs, Tatabánya, Székesfehérvár and Eger theatres and made from it TV documentary in Hungarian Television, 2010, and Budapest, Gyöngyös theatres in 2011. Henriett Seth F.' s life and arts can be compared with Arthur Rimbaud' s life and her arts took after her "Little Wassily Kandinsky" 's.