Showing posts with label philosopher. Show all posts
Showing posts with label philosopher. Show all posts

Tuesday, 10 May 2016

Super Humans - H. P. Lovecraft

  H. P. Lovecraft recited poetry at the age of two years and wrote long poems at the age of five years. Howard Phillips Lovecraft (/ˈlʌvkræft, -ˌkrɑːft/;[1] August 20, 1890 – March 15, 1937) was an American author who achieved posthumous fame through his influential works of horror fiction. Virtually unknown and only published in pulp magazines before he died in poverty, he is now regarded as one of the most significant 20th-century authors in his genre. Lovecraft was born in Providence, Rhode Island, where he spent most of his life. Among his most celebrated tales is "The Call of Cthulhu", canonical to the Cthulhu Mythos. Never able to support himself from earnings as author and editor, Lovecraft saw commercial success increasingly elude him in this latter period, partly because he lacked the confidence and drive to promote himself. He subsisted in progressively straitened circumstances in his last years; an inheritance was completely spent by the time he died at the age of 46. Lovecraft was frequently ill as a child. Because of his sickly condition, he barely attended school until he was eight years old, and then was withdrawn after a year. He read voraciously during this period and became especially enamored of chemistry and astronomy. He produced several hectographed publications with a limited circulation, beginning in 1899 with The Scientific Gazette. Four years later, he returned to public school at Hope High School. Beginning in his early life, Lovecraft is believed to have suffered from sleep paralysis, a form of parasomnia; he believed himself to be assaulted at night by horrific "night gaunts". Much of his later work is thought to have been directly inspired by these terrors. (Indeed, "Night Gaunts" became the subject of a poem he wrote of the same name, in which they were personified as devil-like creatures without faces.) His grandfather's death in 1904 greatly affected Lovecraft's life. Mismanagement of his grandfather's estate left his family in a poor financial situation, and they were forced to move into much smaller accommodations at 598 (now a duplex at 598–600) Angell Street. In 1908, prior to his high school graduation, he is said to have suffered what he later described as a "nervous breakdown", and consequently never received his high school diploma (although he maintained for most of his life that he did graduate). S. T. Joshi suggests in his biography of Lovecraft that a primary cause for this breakdown was his difficulty in higher mathematics, a subject he needed to master to become a professional astronomer. Eventually, he was forced to move to smaller and meaner lodgings with his surviving aunt. He was also deeply affected by the suicide of his correspondent Robert E. Howard. In early 1937, Lovecraft was diagnosed with cancer of the small intestine,[30] and suffered from malnutrition as a result. He lived in constant pain until his death on March 15, 1937, in Providence. In accordance with his lifelong scientific curiosity, he kept a diary of his illness until close to the moment of his death. Lovecraft was listed along with his parents on the Phillips family monument (41°51′14″N 71°22′52″W). That was not enough for his fans, who in 1977 raised the money to buy him a headstone of his own in Swan Point Cemetery, on which they had inscribed Lovecraft's name, the dates of his birth and death, and the phrase "I AM PROVIDENCE", a line from one of his personal letters. Groups of enthusiasts annually observe the anniversaries of Lovecraft's death at Ladd Observatory and of his birth at his grave site. In July 2013, the Providence City Council designated the intersection of Angell and Prospect streets near the author's former residences as "H. P. Lovecraft Memorial Square" and installed a commemorative sign. According to Joyce Carol Oates, Lovecraft – as with Edgar Allan Poe in the 19th century – has exerted "an incalculable influence on succeeding generations of writers of horror fiction". Horror, fantasy, and science fiction author Stephen King called Lovecraft "the twentieth century's greatest practitioner of the classic horror tale." King has made it clear in his semi-autobiographical non-fiction book Danse Macabre that Lovecraft was responsible for King's own fascination with horror and the macabre, and was the single largest figure to influence his fiction writing. Early efforts to revise an established literary view of Lovecraft as an author of 'pulp' were resisted by some eminent critics; in 1945 Edmund Wilson expressed the opinion that "the only real horror in most of these fictions is the horror of bad taste and bad art". But "Mystery and Adventure" columnist Will Cuppy of the New York Herald Tribune recommended to readers a volume of Lovecraft's stories, asserting that "the literature of horror and macabre fantasy belongs with mystery in its broader sense." In 2005 the status of classic American writer conferred by a Library of America edition was accorded to Lovecraft with the publication of Tales, a collection of his weird fiction stories. Philosopher Graham Harman, seeing Lovecraft as having a unique—though implicit—anti-reductionalist ontology, says "No other writer is so perplexed by the gap between objects and the power of language to describe them, or between objects and the qualities they possess." Harman said of leading figures at the initial speculative realism conference (which included philosophers Quentin Meillassoux, Ray Brassier, and Iain Hamilton Grant) that, though they shared no philosophical heroes, all were enthusiastic readers of Lovecraft. According to scholar S. T. Joshi: "There is never an entity in Lovecraft that is not in some fashion material". Forbidden, dark, esoterically veiled knowledge is a central theme in many of Lovecraft's works. Many of his characters are driven by curiosity or scientific endeavor, and in many of his stories the knowledge they uncover proves Promethean in nature, either filling the seeker with regret for what they have learned, destroying them psychically, or completely destroying the person who holds the knowledge. 
Some critics argue that this theme is a reflection of Lovecraft's contempt of the world around him, causing him to search inwardly for knowledge and inspiration. In 1926, famed magician and escapist Harry Houdini asked Lovecraft to ghostwrite a treatise exploring the topic of superstition. Houdini's unexpected death later that year halted the project, but The Cancer of Superstition was partially completed by Lovecraft along with collaborator C. M. Eddy, Jr. A previously unknown manuscript of the work was discovered in 2016 in a collection owned by a magic shop. The book states “all superstitious beliefs are relics of a common ‘prehistoric ignorance’ in humans,” and goes on to explore various superstitious beliefs in different cultures and times. The closeness with dark magicians like Aleister Crowley resulted in a miserable unlucky life, despite the claims of so called magicians. 

Monday, 25 April 2016

Super Humans - Rabindranath Tagore

   Rabindranath Tagore (Listeni/rəˈbindrəˈnɑːt ˈtɑːɡɔːr/; Bengali pronunciation: [robind̪ro nat̪ʰ ʈʰakur]), also written Ravīndranātha Thākura (7 May 1861 – 7 August 1941), sobriquet Gurudev, was a Bengali polymath who reshaped Bengali literature and music, as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of Gitanjali and its "profoundly sensitive, fresh and beautiful verse", he became the first non-European to win the Nobel Prize in Literature in 1913. In translation his poetry was viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal. Sometimes referred to as "the Bard of Bengal", Tagore introduced new prose and verse forms and the use of colloquial language into Bengali literature, thereby freeing it from traditional models based on classical Sanskrit. He was highly influential in introducing the best of Indian culture to the West and vice versa, and he is generally regarded as the outstanding creative artist of the modern Indian subcontinent. A Pirali Brahmin from Calcutta with ancestral gentry roots in Jessore, Tagore wrote poetry as an eight-year-old. At the age of sixteen, he released his first substantial poems under the pseudonym Bhānusiṃha ("Sun Lion"), which were seized upon by literary authorities as long-lost classics. By 1877 he graduated to his first short stories and dramas, published under his real name. As a humanist, universalist internationalist, and ardent anti-nationalist he denounced the British Raj and advocated independence from Britain. As an exponent of the Bengal Renaissance, he advanced a vast canon that comprised paintings, sketches and doodles, hundreds of texts, and some two thousand songs; his legacy endures also in the institution he founded, Visva-Bharati University. Tagore modernised Bengali art by spurning rigid classical forms and resisting linguistic strictures. His novels, stories, songs, dance-dramas, and essays spoke to topics political and personal. Gitanjali (Song Offerings), Gora (Fair-Faced) and Ghare-Baire (The Home and the World) are his best-known works, and his verse, short stories, and novels were acclaimed—or panned—for their lyricism, colloquialism, naturalism, and unnatural contemplation. His compositions were chosen by two nations as national anthems: India's Jana Gana Mana and Bangladesh's Amar Shonar Bangla. Some sources state that Sri Lanka's National Anthem was written by Tagore whilst others state it was inspired by the work of Tagore. The youngest of thirteen surviving children, Tagore (nicknamed "Rabi") was born in the Jorasanko mansion in Calcutta to parents Debendranath Tagore (1817–1905) and Sarada Devi (1830–1875).

   The last two days a storm has been raging, similar to the description in my song—Jhauro jhauro borishe baridhara, a hapless, homeless man drenched from top to toe standing on the roof of his steamer [...] the last two days I have been singing this song over and over [...] as a result the pelting sound of the intense rain, the wail of the wind, the sound of the heaving Gorai [R]iver, have assumed a fresh life and found a new language and I have felt like a major actor in this new musical drama unfolding before me.
(Letter to Indira Devi)

   Tagore was raised mostly by servants; his mother had died in his early childhood and his father travelled widely.[28] Tagore family was at the forefront of the Bengal renaissance. They hosted the publication of literary magazines; theatre and recitals of Bengali and Western classical music featured there regularly. Tagore's oldest brother Dwijendranath was a philosopher and poet. Another brother, Satyendranath, was the first Indian appointed to the elite and formerly all-European Indian Civil Service. Yet another brother, Jyotirindranath, was a musician, composer, and playwright. His sister Swarnakumari became a novelist. Jyotirindranath's wife Kadambari, slightly older than Tagore, was a dear friend and powerful influence. Her abrupt suicide in 1884, soon after he married, left him for years profoundly distraught. Tagore largely avoided classroom schooling and preferred to roam the manor or nearby Bolpur and Panihati, idylls which the family visited. His brother Hemendranath tutored and physically conditioned him—by having him swim the Ganges or trek through hills, by gymnastics, and by practising judo and wrestling. He learned to draw, anatomy, geography and history, literature, mathematics, Sanskrit, and English—his least favourite subject. Tagore loathed formal education—his scholarly travails at the local Presidency College spanned a single day. Years later he held that proper teaching does not explain things; proper teaching stokes curiosity. After his upanayan (coming-of-age) rite at age eleven, Tagore and his father left Calcutta in February 1873 to tour India for several months, visiting his father's Santiniketan estate and Amritsar before reaching the Himalayan hill station of Dalhousie. There, Tagore read biographies, studied history, astronomy, modern science, and Sanskrit, and examined the classical poetry of Kālidāsa. Tagore returned to Jorosanko and completed a set of major works by 1877, one of them a long poem in the Maithili style of Vidyapati. As a joke, he claimed that these were the lost works of (what he claimed was) a newly discovered 17th century Vaiṣṇava poet Bhānusiṃha. Regional experts accepted them as the lost works of Bhānusiṃha. He debuted in the short-story genre in Bengali with "Bhikharini" ("The Beggar Woman"). Published in the same year, Sandhya Sangit (1882) includes the poem "Nirjharer Swapnabhanga" ("The Rousing of the Waterfall").

Sunday, 24 April 2016

Super Humans - Albrecht Dürer

   Albrecht Dürer (/ˈdʊərər, ˈdjʊərər/; German: [ˈalbʁɛçt ˈdyːʁɐ]; 21 May 1471 – 6 April 1528)[2] was a painter, printmaker and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. Dürer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions. Dürer was born on 21 May 1471, third child and second son of his parents, who had between fourteen and eighteen children. His father, Albrecht Dürer the Elder, was a successful goldsmith, originally Ajtósi, who in 1455 had moved to Nuremberg from Ajtós, near Gyula in Hungary. The German name "Dürer" is a translation from the Hungarian, "Ajtósi". Initially, it was "Türer," meaning doormaker, which is "ajtós" in Hungarian (from "ajtó", meaning door). A door is featured in the coat-of-arms the family acquired. Albrecht Dürer the Younger later changed "Türer", his father's diction of the family's surname, to "Dürer", to adapt to the local Nuremberg dialect. Albrecht Dürer the Elder married Barbara Holper, the daughter of his master, when he himself became a master in 1467. Dürer's godfather was Anton Koberger, who left goldsmithing to become a printer and publisher in the year of Dürer's birth and quickly became the most successful publisher in Germany, eventually owning twenty-four printing-presses and having many offices in Germany and abroad. Koberger's most famous publication was the Nuremberg Chronicle, published in 1493 in German and Latin editions. It contained an unprecedented 1,809 woodcut illustrations (albeit with many repeated uses of the same block) by the Wolgemut workshop. Dürer may well have worked on some of these, as the work on the project began while he was with Wolgemut. Because Dürer left autobiographical writings and became very famous by his mid-twenties, his life is well documented by several sources. After a few years of school, Dürer started to learn the basics of goldsmithing and drawing from his father. Though his father wanted him to continue his training as a goldsmith, he showed such a precocious talent in drawing that he started as an apprentice to Michael Wolgemut at the age of fifteen in 1486. A self-portrait, a drawing in silverpoint, is dated 1484 (Albertina, Vienna) "when I was a child," as his later inscription says. Wolgemut was the leading artist in Nuremberg at the time, with a large workshop producing a variety of works of art, in particular woodcuts for books. Nuremberg was then an important and prosperous city, a centre for publishing and many luxury trades. It had strong links with Italy, especially Venice, a relatively short distance across the Alps.

Sunday, 10 January 2016

Super Humans - Ruth Elke Lawrence-Naimark

   Ruth Elke Lawrence-Naimark (Hebrew: רות אלקה לורנס-נאימרק‎, born 2 August 1971) is British mathematician and an Associate Professor of mathematics at the Einstein Institute of Mathematics, Hebrew University of Jerusalem, and a researcher in knot theory and algebraic topology. Outside academia, she is best known for having been a child prodigy in mathematics. 

   Ruth Lawrence was born in Brighton, England. Her parents, Harry Lawrence and Sylvia Greybourne, were both computer consultants. When Lawrence was five, her father gave up his job so that he could educate her at home. At the age of nine, Lawrence gained an O-level in mathematics, setting a new age record (later surpassed in 2001 when Arran Fernandez successfully sat GCSE mathematics aged five). Also at the age of nine she achieved a Grade A at A-level Pure Mathematics. In 1981 Lawrence passed the Oxford University entrance examination in mathematics, coming first out of all 530 candidates sitting the examination, and joining St Hugh's College in 1983 at the age of just twelve. At Oxford, her father continued to be actively involved in her education, accompanying her to all lectures and some tutorials. Lawrence completed her bachelor's degree in two years, instead of the normal three, and graduated in 1985 at the age of 13 with a starred first and special commendation. Attracting considerable press interest, she became the youngest British person to gain a first-class degree, and the youngest to graduate from the University of Oxford in modern times. Lawrence followed her first degree with a second bachelor's degree in physics in 1986 and a Doctor of Philosophy (DPhil) degree in mathematics at Oxford in June 1989, at the age of 17. Her doctoral thesis title was Homology representations of braid groups and her thesis adviser was Sir Michael Atiyah. Lawrence's first academic post was at Harvard University, where she became a Junior Fellow in 1990 at the age of 19. In 1993, she moved to the University of Michigan, where she became an Associate Professor with tenure in 1997. In 1999, she took up the post of Associate Professor at the Hebrew University of Jerusalem.

Friday, 1 January 2016

Super Humans - Blaise Pascal

Blaise Pascal (1623–1662) was a French mathematician, physicist, and religious philosopher who wrote a treatise on vibrating bodies at the age of nine; his first proof, on a wall with a piece of coal, at 11 years old, and a theorem by 16 years old. He is famous for Pascal's theorem and many other contributions in mathematics, philosophy, and physics.
He was a child prodigy who was educated by his father, a tax collector in Rouen. Pascal's earliest work was in the natural and applied sciences where he made important contributions to the study of fluids, and clarified the concepts of pressure and vacuum by generalizing the work of Evangelista Torricelli. Pascal also wrote in defense of the scientific method. In 1642, while still a teenager, he started some pioneering work on calculating machines. After three years of effort and fifty prototypes, he built 20 finished machines (called Pascal's calculators and later Pascalines) over the following ten years, establishing him as one of the first two inventors of the mechanical calculator. Pascal was an important mathematician, helping create two major new areas of research: he wrote a significant treatise on the subject of projective geometry at the age of 16, and later corresponded with Pierre de Fermat on probability theory, strongly influencing the development of modern economics and social science. Following Galileo and Torricelli, in 1646, he refuted Aristotle's followers who insisted that nature abhors a vacuum. Pascal's results caused many disputes before being accepted. In 1646, he and his sister Jacqueline identified with the religious movement within Catholicism known by its detractors as Jansenism. His father died in 1651. Following a religious experience in late 1654, he began writing influential works on philosophy and theology. His two most famous works date from this period: the Lettres provinciales and the Pensées, the former set in the conflict between Jansenists and Jesuits. In that year, he also wrote an important treatise on the arithmetical triangle. Between 1658 and 1659 he wrote on the cycloid and its use in calculating the volume of solids. Pascal had poor health, especially after his 18th year, and his death came just two months after his 39th birthday. Pascal was born in Clermont-Ferrand, which is in France's Auvergne region. He lost his mother, Antoinette Begon, at the age of three. His father, Étienne Pascal (1588–1651), who also had an interest in science and mathematics, was a local judge and member of the "Noblesse de Robe". Pascal had two sisters, the younger Jacqueline and the elder Gilberte. In 1631, five years after the death of his wife, Étienne Pascal moved with his children to Paris. The newly arrived family soon hired Louise Delfault, a maid who eventually became an instrumental member of the family. Étienne, who never remarried, decided that he alone would educate his children, for they all showed extraordinary intellectual ability, particularly his son Blaise. The young Pascal showed an amazing aptitude for mathematics and science. Particularly of interest to Pascal was a work of Desargues on conic sections. Following Desargues' thinking, the 16-year-old Pascal produced, as a means of proof, a short treatise on what was called the "Mystic Hexagram", Essai pour les coniques ("Essay on Conics") and sent it—his first serious work of mathematics—to Père Mersenne in Paris; it is known still today as Pascal's theorem. It states that if a hexagon is inscribed in a circle (or conic) then the three intersection points of opposite sides lie on a line (called the Pascal line). Pascal's work was so precocious that Descartes was convinced that Pascal's father had written it. When assured by Mersenne that it was, indeed, the product of the son and not the father, Descartes dismissed it with a sniff: "I do not find it strange that he has offered demonstrations about conics more appropriate than those of the ancients," adding, "but other matters related to this subject can be proposed that would scarcely occur to a 16-year-old child." In France at that time offices and positions could be—and were—bought and sold. In 1631 Étienne sold his position as second president of the Cour des Aides for 65,665 livres. The money was invested in a government bond which provided, if not a lavish, then certainly a comfortable income which allowed the Pascal family to move to, and enjoy, Paris. But in 1638 Richelieu, desperate for money to carry on the Thirty Years' War, defaulted on the government's bonds. Suddenly Étienne Pascal's worth had dropped from nearly 66,000 livres to less than 7,300. Like so many others, Étienne was eventually forced to flee Paris because of his opposition to the fiscal policies of Cardinal Richelieu, leaving his three children in the care of his neighbor Madame Sainctot, a great beauty with an infamous past who kept one of the most glittering and intellectual salons in all France. It was only when Jacqueline performed well in a children's play with Richelieu in attendance that Étienne was pardoned. In time, Étienne was back in good graces with the cardinal and in 1639 had been appointed the king's commissioner of taxes in the city of Rouen—a city whose tax records, thanks to uprisings, were in utter chaos. In 1642, in an effort to ease his father's endless, exhausting calculations, and recalculations, of taxes owed and paid (into which work the young Pascal had been recruited), Pascal, not yet 19, constructed a mechanical calculator capable of addition and subtraction, called Pascal's calculator or the Pascaline. Of the eight Pascalines known to have survived, four are held by the Musée des Arts et Métiers in Paris and one more by the Zwinger museum in Dresden, Germany, exhibit two of his original mechanical calculators.[12] Though these machines are pioneering forerunners to a further 400 years of development of mechanical methods of calculation, and in a sense to the later field of computer engineering, the calculator failed to be a great commercial success. Partly because it was still quite cumbersome to use in practice, but probably primarily because it was extraordinarily expensive, the Pascaline became little more than a toy, and a status symbol, for the very rich both in France and elsewhere in Europe. Pascal continued to make improvements to his design through the next decade, and he refers to some 50 machines that were built to his design.